In contrast to this, the Lalita - Sahasranama has got 72 sixteen, syllabled, 242 eight - syllabled and 278 four - syllabled word combinations followed by 138 of three syllables, 122 of five syllables, 34 of six syllables, 7 of nine syllables, 3 of eleven syllables, 3 of twelve syllables, 2 of seven syllables, and 3 of a single syllable. Following it come 273 words of four syllables, 228 of two syllables, 106 of five syllables, 34 of six syllables, 18 of eight syllables, and 3 of single syllable. In the Visnu - Sahasranama the largest number of words are three syllabled. This can be found from the number of syllable combinations in its words. Its style is epic and therefore simple, as it existed before the development of the ornate style of the Kavyas, which is reflected in Lalita - Sahasranama. The first one occurs in the Anusasanika Parva of the Mahabharata and the second in Brahmanda Purana, Visnu - Sahasra - nama is the earliest of this kind of hymnology. The two Sahasranamas popular among devotees are the Visnu - Sahasranama and Lalita - Sahasranama. This Sahasranama is an important litany in the scheme of worship of the Supreme Power as Mother Lalitambika. Sri - Cakra is a diagramatic representation of the Alogical Siva - Sakti, and Its cosmic manifestation, and Lalitambika, the central dot in the diagram is a more concrete form of It as divine Personality for adoration, praise and meditation. Though intellectually analysable, they are factually one. Together they are the Cosmic Whole and what transcends it. Siva is Pure Being and Sakti is Pure Will Each is a complement of the other and if separated completely from the other, both will be mere fictions. They forget that all conceptions of the Deity in the human mind are anthropomorphic, and it is far more reasonable to conceive Him as Father - Mother than merely as Father.
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God can only be Father according to Christianity and the Great Creator according to Islam.
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To those brought up in Semitic religions, such a conception is wholly unacceptable. Power, and having an enchanting form with special parphernalia, manifestations and achievements by way of destruction of the forces of evil and enhancement of the forces of good.Ī word here about the philosophy of worship of the Divine as the Great Mother.